Get Apparitions of Asia: Modernist Form and Asian American PDF

By Josephine Park

ISBN-10: 0195332733

ISBN-13: 9780195332735

ISBN-10: 1435620518

ISBN-13: 9781435620513

Walt Whitman known as the Orient ''The earlier! the earlier! the Past!'' yet East Asia used to be remarkably current for the us within the 20th century. Apparitions of Asia reads American literary expressions in the course of a century of U.S.-East Asian alliances during which the a long way East is imagined as either close to and modern. advertisement and political bridges around the Pacific generated American literary fantasies of moral and religious accord; Park examines American bards who capitalized on those ties and considers the cost of such intimacies for Asian American poets. l l The e-book starts its literary heritage with the poetry of Ernest Fenollosa, who referred to as for ''The destiny Union of East and West.'' From this best instigator of the Gilded Age, Park newly considers the Orient of Ezra Pound, who became to China to put the basis for his poetics and ethics. Park argues that Pound's Orient was once guaranteed to his the US, and she or he lines this American-East Asian nexus into the paintings of Gary Snyder, who came upon a local American spirituality in Zen. the second one 1/2 Apparitions of Asia considers the production of Asian the United States in contrast backdrop of trans-pacific alliances. Park analyzes the load of yank Orientalism for Asian American poetry, and she or he argues that the thoughts of Lawson Fusao Inada provide a critique of this literary earlier. ultimately, she analyzes Asian American poets, Theresa Hak Kyung Cha and Myung Mi Kim, who go back to modernist varieties so one can demonstrate a background of yankee interventions in East Asia.

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Extra info for Apparitions of Asia: Modernist Form and Asian American Poetics

Sample text

Pound’s scalding desire led him all the way to dynastic China, and my inquiry considers the rich strangeness he discovered in the Far East. Bristling with action and organic growth, Chinese writing electrified his lyrics in the early part of his career; and in the hard and beautiful ascent of the latter half of his epic The Cantos, Confucius provided an ordered radiance at the nadir of his ideological fantasies and 23 24 a p pa r i t i o n s o f a s i a amid the welter of his postwar trials. So many of Pound’s famous discoveries can be traced back to the bracing alienation he plunged into when he turned to the “persistent East”:1 China was his paradiso terrestre, in which the grass next to the “low fields, and hills” glowed blue, and the Eastern sun’s rays stretched across the Pacific to touch America.

The poem comes to a close with a moving account of their final separation: And if you ask how I regret that parting: It is like the flowers falling at Spring’s end Confused, whirled in a tangle. (Personae 139) An apparition of falling flowers describes a world that simply disintegrates with this final parting; the flowers “whirled in a tangle” describe the exile’s “world in a tangle”—it is as though his world flies apart in this separation. From these lines, the poem ends with the speaker calling in his son to take the letter: What is the use of talking, and there is no end of talking, There is no end of things in the heart.

This understanding of motion as electricity must have seized Pound; his crucial series of essays entitled “I gather the limbs of Osiris,” published in The New Age in 1911–1912, imagined the different components of prosody as limbs to be gathered together into an organic whole, and identified his new method for poetry “the method of Luminous Detail,” in which the poet gathers shining moments instead of laboring over “the prevailing mode of today—that is, the method of multitudinous detail, and the method of yesterday, the method of sentiment and generalisation” (Selected Prose 21).

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Apparitions of Asia: Modernist Form and Asian American Poetics by Josephine Park


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