Get Amy Beach, Passionate Victorian: The Life and Work of an PDF

By Adrienne Fried Block

ISBN-10: 0195074084

ISBN-13: 9780195074086

ISBN-10: 142373761X

ISBN-13: 9781423737612

Amy Marcy Cheney seashore (1867-1944), the main commonly played composer of her new release, was once the 1st American girl to be successful as a writer of large-scale artwork song. Her "Gaelic" Symphony, given its top-rated by means of the Boston Symphony Orchestra in 1896, used to be the 1st paintings of its style by way of an American girl to be played via an American orchestra. just about all of her greater than three hundred works have been released quickly once they have been composed and played, and this day her track is discovering new advocates and audiences for its power, depth, and sheer good looks. but, earlier, no full-length severe biography of Beach's existence or entire serious evaluate of her track existed. This biography admirably fills that hole, absolutely reading the connections among Beach's existence and paintings in gentle of social currents and dominant ideologies. Born right into a musical kin in Victorian instances, Amy seashore all started composing as a toddler of 4 and used to be both talented as a pianist. Her expertise was once famous early through Boston's best musicians, who gave her unqualified aid. even if seashore believed that the lifetime of a qualified musician was once the one existence for her, her mom and dad had raised her for marriage and a profession of novice music-making. Her reaction to this parental (and later spousal) competition used to be to discover artistic methods of attaining her aim with out direct war of words. Discouraged from a full-scale live performance occupation, she as an alternative stumbled on her m?tier in composition. luck as a composer of artwork songs got here early for seashore: certainly, her songs outsold these of her contemporaries. however, she was firm to split her paintings from the genteel parlor song girls have been writing in her day by way of developing large-scale works--a Mass, a symphony, and chamber music--that challenged the accredited proposal that ladies have been incapable of making excessive artwork. She received the honor of work-mates and the allegiance of audiences. many that praised her paintings, even if, thought of her an exception between girls. Beach's response to this used to be to hitch with different girls composers of significant tune by way of selling their works with her personal. Adrienne Fried Block has written a biography that takes complete account of problems with gender and musical modernism, contemplating seashore within the contexts of her time and of her composer contemporaries, either female and male. Amy seashore, Passionate Victorian may be of significant curiosity to scholars and students of yank song, and to tune enthusiasts normally.

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Extra resources for Amy Beach, Passionate Victorian: The Life and Work of an American Composer, 1867-1944

Example text

This was also the year for pianists. On 18 October 1875-, the famous German pianist Hans von Btilow opened his American concert tour in Boston, playing a group of solos as well as the Beethoven "Emperor" Concerto with orchestra. By the end of the month, von Btilow had played six different programs in seven concerts, all from memory—something not usually done at the time — and had given the American premiere of Tchaikowsky's First Piano Concerto, which was dedicated to the pianist. Boston audiences were demonstrative in their appreciation, so much so that at one point von Biilow addressed them, "Ladies and Gentlemen, this is the Athens of America.

It is a sweet memory of the kindly poet, of California, of the spring flowers, of the unconscious birds. With, pencil and paper, we took their melodies. We got twenty of their airs that morning. 37 After her return from San Francisco, the Cheneys rented quarters at i Hancock Street and the following year at 2 I Pemberton Square, both in Boston. 38 Nearby, A PRODIGY DESPITE HER MOTHER • 2/ at 16 Pemberton, was the Harvard Musical Association, headed by John Sullivan Dwight, for years the leading music critic and journalist in the United States.

A PRODIGY DESPITE HER MOTHER • }'jt Because of the close association of musicians and writers in Boston at that time, it is likely that the critics, along with others in musical circles, had been aware for years of Amy Cheney's reputation as a Wunderkind and of her mother's opposition to her career as a pianist; and they may even have had heard her play at private gatherings. Unfortunately, there are few records of such informal events. Another striking aspect of the reviews is the total absence of any reference to her gender as a limitation.

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Amy Beach, Passionate Victorian: The Life and Work of an American Composer, 1867-1944 by Adrienne Fried Block


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