Daniel Katz's American Modernism's Expatriate Scene: The Labour of PDF

By Daniel Katz

ISBN-10: 0748625267

ISBN-13: 9780748625260

ISBN-10: 0748630872

ISBN-13: 9780748630875

This learn takes as its element of departure a vital premise: that the common phenomenon of expatriation in American modernism is much less a flight from the fatherland than a dialectical go back to it, yet one that renders uncanny all tropes of familiarity and immediacy which 'fatherlands' and 'mother tongues' are typically obvious as delivering. during this framework, equally totalizing notions of cultural authenticity are noticeable to control either exoticist mystification and 'nativist' obsessions with the purity of the 'mother tongue.' whilst, cosmopolitanism, translation, and multilingualism turn into frequently eroticized tropes of violation of this version, and as a result, concurrently courted and abhorred, in a stream which, if crystallized in expatriate modernism, endured to make its presence felt beyond.Beginning with the overdue paintings of Henry James, this publication is going directly to study at size Ezra Pound and Gertrude Stein, to finish with the uncanny regionalism of mid-century San Francisco Renaissance poet Jack Spicer, and the deterritorialized aesthetic of Spicer's peer, John Ashbery. via an emphasis on modernism as an area of generalized interference, the perform and trope of translation emerges as critical to all the writers involved, whereas the booklet continues to be in consistent discussion with key contemporary works on transnationalism, transatlanticism, and modernism.

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Additional resources for American Modernism's Expatriate Scene: The Labour of Translation (Edinburgh Studies in Transatlantic Literatures)

Sample text

America and its leveling democracy is the marriage to be refused, but also the menacing feminized void of indifferentiation. This is the “vulgarity” which begins at home. It is to this dangerously democratic, dangerously void and indeterminate home that James returns, literally, in The American Scene, a book which also echoes the concerns of the discussions concerning the “cosmopolite” which we have studied above, and even more so, its rhetoric in a key passage. 21 Such a reading, however, profits from its confrontation with certain complexities of James’ positionings, both textual and biographical.

This affirmed claim of M856 KATZ TEXT M/UP 14/6/07 10:10 am Page 33 Native Well Being [ 33 the alien, however immeasurably alien, to share in one’s supreme relation was everywhere the fixed element, the reminder not to be dodged” (67). Despite his disorientation, James never disputes this claim. Of course, James’ designation of some sort of “patriotism” as his “supreme relation” may seem somewhat disingenuous, and not only because of his profoundly “cosmopolite” outlook. It seems hard to imagine that for James the “supreme relation” was anything other than that pertaining to writing, to the material inscription of subjective impression.

That the novel never presents some sort of “authentic” personage to counterbalance what would then figure as Marie’s “charade” speaks against this thesis, as does the fact that to hold on to such a lure is to extend Strether’s own perverse desire for the gratification of authenticity, but still, the terms in which Marie’s cultural groundlessness are first presented by Maria Gostrey deserve the closest scrutiny, both for the language they employ, and for their insistence on the privileged link between language and cultural appurtenance itself.

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American Modernism's Expatriate Scene: The Labour of Translation (Edinburgh Studies in Transatlantic Literatures) by Daniel Katz

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