A Handbook of Modernism Studies (Critical Theory Handbooks) - download pdf or read online

ISBN-10: 0470658738

ISBN-13: 9780470658734

That includes the newest learn findings and exploring the attention-grabbing interaction of modernist authors and highbrow luminaries, from Beckett and Kafka to Derrida and Adorno, this daring new number of essays offers scholars a deeper snatch of key texts in modernist literature.

Provides a wealth of clean views on canonical modernist texts, that includes the most recent examine data
Adopts an unique and inventive thematic method of the topic, with options equivalent to race, legislations, gender, classification, time, and beliefs forming the constitution of the collection
Explores present and ongoing debates at the hyperlinks among the aesthetics and praxis of authors and modernist theoreticians
Reveals the profound ways that modernist authors have inspired key thinkers, and vice versa

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Extra resources for A Handbook of Modernism Studies (Critical Theory Handbooks)

Sample text

In an age in which we deny the Grand Narrative, we continue to write historical narratives, and hence, allegory and typology persist. A second current area of debate regards the relation of modernism to modernity, yet this, too, echoes earlier debates about the Renaissance. 21 Intellectuals such as Adorno and Horkheimer, Habermas, Foucault, and Lyotard see modernity beginning in the Enlightenment with the rise of instrumental reason, scientific rationality, and the idea of the autonomous subject.

Yet I also attempt to historicize these topics within a wider context. For example, in addition to analyzing the market for Italian art and museum culture, I show how Italian paintings were made widely accessible through reproductive prints, education, and clubs and societies, and assess the popular reception of these cultural forms. While the chapters on Shakespeare focus on the imperialist side of Shakespeare studies, they also allude to an entire realm of study that could be explored further to gain a more complete picture—namely, the reception and uses made of Shakespeare in the colonized world, say in the essays of C.

Based on languages, she divided humanity into three races—Germanic, Latin, and Slav—and labeled the Germanic as superior. Although the Romantics were attracted to Italy, they tended to ignore the Renaissance and favor the Middle Ages; ultimately, however, they saw all ages as important stages in the development of each nation or race. In general the year 1500 was seen to divide the medieval and modern ages, but a separate period for the Renaissance had not yet been conceptualized. A specific debate arose in early nineteenth-century Romantic historiography about the role of the Medici in Italian national culture.

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